Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.
Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.
Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.
Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.
  • Load image into Gallery viewer, Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.
  • Load image into Gallery viewer, Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.
  • Load image into Gallery viewer, Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.
  • Load image into Gallery viewer, Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.

Daniel Seiter, after. Death of St Sebastian. Engraving by Anne Claude de Caylus. 1742.

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Artist: Daniel Seiter (Austrian, 1649-1705), originally trained in Vienna as a fortifications engineer, Seiter was forced to flee to Venice c. 1670 after a duel.
EngraverAnne Claude de Tubières-Grimoard de Pestels de Lévis, comte de Caylus, marquis d'Esternay, baron de Bransac. (France, 1692 - 1765), (etching).
Engraver: Nicolas Lesueur (French, 1690-1764), draughtsman and printmaker. Chiaroscuro woodcuts, with blocks printed over woodcut or etched base. Worked for Recueil Crozat.
Title: St Sebastian.
Titled, Dated, and Signed in plate: Saint Sébastien. D'après le dessein du chevalier Daniel Saiter, qui est dans le Cabinet de Mr Crozat. Gravé à l'eau forte par Mr le C... de C... et en bois par Nicolas le Sueur [numbered on plate, lower right] '129'.
Dimensions: Platemark 10 1/2" x 6 1/2". Sheet 21 1/4" x 16". 
Edition: Joseph Antoine de Crozat, Marquis de Tugny. Recueil d'estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orléans, & dans d'autres Cabinets, Tome Second. Paris, 1742.
Materials and Techniquesetching and chiaroscuro woodcut, printed on laid paper in gray.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; p
rofessor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Watermark: yes.
ConditionLeft edge has cuts and holes from a binding cord. Tears. Wear to edges. The signs of aging are appropriate for the time. A detailed condition report is available on demand. 
Catalog Raisonné  Inventaire du fonds français, graveurs du XVIIIe siècle. Bibliothèque nationale, Département des estampes. Tome quatrième... par Marcel Roux.. p. 117-118, No. 384. Pl. terminée sur bois.
Part of[Known as the Cabinet de Crozat or Recueil de Crozat, Volume 2, No. 129].
Dateca.1742.
Museums and Libraries: The British Museum  1855,0609.210 (for the reworked edition of 1763).
Art Movements, Periods & Schools: French School XVIII C. Italian School XVII C.

NotesThis entry incorporates text from the catalog entry of a similar item from the British Museum collection.