Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.
Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.
Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.
Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.
Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.
Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.
Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.
Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.
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Agostino Carracci, after. Sanctus Hieronymus. Etching by Tommaso Piroli. 1750 -1824.

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Artist:  Agostino Carracci (Italy, 1557-1602), after.
EngraverTommaso Piroli (Italy, 1750/1752-1824).
Title Sanctus Hieronymus (San Girolamo nel deserto).
Signed, Titled in plate: Ago. Carracci Inu. Tom Piroli Sculp. Sanctus Hieronymus.
Dimensions: Sheet 16 1/4 x 11 1/2". 
Date: 1750 -1824.
Materials and Techniques: etching on laid paper.
Watermark: Visible partially - letters F and C.
Provenance:  The Estate of George "Yorgo" Demetrakopoulos; professor, assistant director of the Medieval Institute, and assistant to the dean at Western Michigan University, Kalamazoo, Michigan, from 1965-2000.
Condition: Trimmed to platemark. A tear to the lower margin. The signs of aging are appropriate for the time. A detailed condition report is available on demand.
Museums and Libraries:  Musei Civici di Monza. http://www.lombardiabeniculturali.it/stampe/schede/CM010-03463/
Art Movements, Periods & Schools: Italian School XVII C. Italian School XVIII C.
Note: This etching is the reverse of the etching by Agostino Carracci's' Heilige Hieronymus,' published by Pietro Stefanoni (possibly) c. 1602. (The Rijksmuseum RP-P-OB-35.743). Nonetheless, some details are different. Piroli's work is an original, stunning piece of art.